Wednesday, January 25, 2017
Hump Day Hit 1/25/17
I
bet you think I forgot about Music Monday this week, and you’d be half right in
that I practically slept through Monday after an early start to the day. So
this week, let’s have a #HumpDayHit! The week can be long and arduous, so as we
head downhill to the weekend we look at a song lamenting how hard it can be out
there. The Spinners are an outstanding group who found a way to capture that
wonderful Philly sound after they moved to Atlantic Records following a six
year run with Motown. They had an array of hits with Atlantic. A wonderful time
period where the songs were on point and Philippé Wynne was at his peak as one
of the primary leads. In “Games People Play” however, he only provides
background as Bobby Smith and Pervis Jackson give us that tired feeling of the
daily grind the world throws at us. Evette Benton joins in to segue us into the
chorus. All of it, including a wonderful piano break, adds up to another million
seller for the group, and a top 5 hit on the pop charts.
Tuesday, January 17, 2017
Music Monday Follow-Up 1/17/17
Follow up to yesterday's #MusicMonday. I love me a good
crossover, and so did Motown, having quite a few acts team up for various
albums. The Four Tops teamed up with The Supremes—post Diana at this point—for
three different albums in two years, with the super-pairing (and 1st album)
being referred to as "The Magnificent Seven". Quite fitting as they
did some pretty good work covering "River Deep, Mountain High" and
yesterday's selection, "Without the One You Love"; with "Without
the One You Love" seeing a more typical funk production of the label at
the time. Glad they kept the strings. It allows the lifting feeling of the
original to remain here.
Monday, January 16, 2017
Music Monday 1/16/17
Monday, January 9, 2017
Music Monday 1/9/17
Monday, January 2, 2017
Music Monday 1/2/17
So, I’ve decided to do something to express myself here on
Facebook/online a bit more than I did in 2016. So let’s try to do a weekly
#MusicMonday bit and see where it goes. To start things off, let’s go with one
of my all-time favorite singers. While people will go out “stanning” for Rihanna,
Lady Gaga, or Beyoncé (and I have no problem with any of them, cool your jets),
I’m also out stanning for Ella Fitzgerald. Now, I love me some Sarah Vaughn or
Lena Horne, but I consider Ms. Fitzgerald to be the Queen of Jazz. Given a voice
sent from high above, she used it to the greatest of her ability in a career
that spanned over 50 years. I often consider her to be the greatest singer of
the 20th century. Here we listen to her cover of “How High the Moon”
from the late 40s. Oddly enough, while Ella had a few songs that were
introduced by her, her strongest suit was having a superb arrangement of an
already established song as she belted it out as only she could. This song was
introduced in a Broadway play called “Two for the Show” back in 1940. You could
probably consider the most famous version to be that by the great Les Paul and
Mary Ford. I can get into a whole other paragraph about how great an impact Les
Paul had on music, but not today. In that version—seriously, go listen to that
version—the music break is handled by seamless guitar playing from Paul and
wonderful, groundbreaking multi-track effects of Ford’s voice. Here, Ella
eschews the structure of the song to just guide us through with the skill of
scat, her specialty. I guarantee this will not be the only time Ella Fitzgerald
gets a mention from me.
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